Jason Gray: Silent Night

Jason Gray
Americans sing the song out of order. Also incompletely. The original German hymn is six verses, but most of us know only three—the first, the sixth, then the second. Which seems like a good metaphor for me as a Christian, incomplete and out of order (perhaps all of us, but I won’t speak for everyone).

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Contributors

Maurice Manning

Kathleen Norris

Lorna Goodison

Kate Daniels

Jason Gray

Mark Jarman

Yehoshua November

Kaveh Akbar

Robert Hass

Jacqueline Osherow

Kwame Dawes

Vijay Seshadri

Sydney Lea

Patricia Jabbeh Wesley

Alicia Ostriker

Kimberly Johnson

Edward Hirsch

Shara McCallum

Linda Gregerson

Jay Hopler

Zeina Hashem Beck

Richard Chess

Margaret Gibson

Dana Gioia

Scott Cairns

Praise

Editor Johnson invited an array of poets and essayists to write of their choice hymns. He said of the poets, “They became like a temporary congregation to me.” Among essayists, Kwame Dawes writes a magnificent piece (the song chosen is “Great Is Thy Faithfulness”). Dawes states this is as not only a grounding principle of faith for him, but one shared equally with his wife, Lorna — it is “their hymn.” It’s a privilege to read the various hymns that are life-changing, and because poets feel as they write, it makes tender reading. The hymns’ lyrics are produced in their entirety which gives us the key to each essayist’s experience, and makes the book a dialogue between the speaker and his/her hymn.
-Grace Cavalieri
Washington Independent Review of Books

“I like to sing,’ begins Alicia Ostriker in her essay that joins so many necessary voices of contemporary poetry. Each piece collected in this book allows for memoir, prayer, and rebellion in its examination of what hymns have and can mean to the culture, to the heart. In these pages, the writers you’d think of as most interested in skepticism lay bare their politics and their personal history in order to better know their relationship to faith.”
—Jericho Brown, author of The New Testament

“From Zeina Hashem Beck’s memories of hearing prayers from Tripoli’s mosques to Linda Gregerson’s most beloved Christmas hymn, these essays reveal contemporary poets’ connections to spiritual songs: the lyric impulse, the importance of breath, the pull of anaphora and rhyme. Stars Shall Bend Their Voices is an illuminating—and luminous—collection.”
—Maggie Smith, author of Good Bones

Poets craft words to affect us; hymns sing words into our bodies. How wonderful, then, to read skilled poets speaking personally about hymns and spiritual songs they know. I love this wonderful compendium of poets who have taken hymns to heart—insightful, moving, and revelatory. -Donald Saliers, author of Music and Theology.

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